Rhianne Good FdA Costume Student
Headshot of female student

Rhianne Good

FdA Costume Student


Having previously completed an Art and Design FdA, Rhianne is now a graduating costume student; experienced in costume making, supervision, show dressing and costume for film. Demonstrating a particular interest in making historical garments and wearable textile art, she is keen to continue to expand and hone her making skills. Self-driven and passionate about period costume, as well as making costumes for BOVTS productions, Rhianne has undertaken several projects outside of the course including a Robe à la Française and an 18th Century navy uniform. During the course she has undertaken a placement at Bristol Costume Services, where she collaborated with Becky Davies on a regency dress for Sanditon, ITV. Subsequently making for Turn of the Screw at Wilton Music Hall. Recent work also includes the costume supervision of Spring Awakening at the Redgrave Theatre.

Maker: Turn of the Screw (Wilton Music Hall 2020), Her Naked Skin (Circomedia 2020), While Shepherds Watched (Bristol Tour), The Life and Adventures of Nicholas Nickleby (Bristol Old Vic 2019), Sanditon (BCS, ITV 2019), Orca (Bristol Old Vic 2019)

Costume Supervisor: While Shepherds Watched (Bristol Tour), Pushover (Film Project 2019), Spring Awakening (Redgrave Theatre 2019), Greatest Of The Greatest (Wardrobe Theatre 2019),

Assistant/Dresser: The Caucasian Chalk Circle (Tobacco Factory) The Dissociation of Shirley Mason (Bristol Old Vic 2019), Orca (Bristol Old Vic 2019), Let The Right One In (Circomedia 2019), The Ruff Guide to Shakespeare (Bristol Tour in Education 2019)

I’m constantly delighted by the talent, commitment and drive of our students. Their curiosity and joy in the work gives us all energy and keeps me on my toes! My goal is to ensure that their voices serve their acting - both in theatre and recorded media. They need to be able to project, learn accents, respond to a wide variety of texts and have a voice that is healthy and be able to sustain long tours and tough filming schedules. This involves them working extremely hard – but having fun as well. When the new students see the final year students in production for the first time I know they’ll come into class the next day fully understanding the high standard they’re working to achieve. Carol Fairlamb, Head of Voice